Apparently different worlds are brought together in the film ”Der Golem-Wie er die Welt kam” by Paul Wegener (1920): The Jewish legend about the Golem of Pragh of the 16th century, Jewish customs and traditions through the centuries up to the early part of our century, when the film was made, and German Expressionism.

The music, which was composed by Betty Olivero to accompany the film, pays homage to the main trends that characterize the film and manifests the crossroads of these apparently distant worlds, yet connected in spirit, as expressed in the film.